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Showing posts with label Project Runway Season 5 - Episode 7. Show all posts
Showing posts with label Project Runway Season 5 - Episode 7. Show all posts

Wednesday, September 3, 2008

Terri & Joe



Jerell has something to say about Terri:

"She's got two faces and four patterns. That's it. Don't trust the bitch."

And thus, our Jerell love grows exponentially. THAT is one primo bitch statement. We salute you, Sternum Lad!


Is Terri a bitch? Maybe. A little. Certainly, this:


...wasn't exactly endearing. Although Terri says on her MySpace Page:

"They edited the episode this week made it look like I was making fun of Korto's outfit, but in fact we were all laughing at it in its initial stage - even Korto. Korto and I are really good friends and we still keep in touch."

Mkay. If you say so.

As for the look:

Feh. It's just alright. Kinda getting tired of seeing pants from Terri, even if, like these, they're pretty cool-looking pants.


Trying to look at it objectively, we can say that it's a pretty decent effort overall. It's just that we're kinda done with this look from Terri. Like Suede's entry this week, she seemed to be phoning it in, design-wise.


The top's okay, but it's really hard for us to get behind mesh as a fashion statement. Too many flashbacks to Desperately Seeking Susan wannabes.


Like we said, the pants are pretty cool. You could argue that, like Joe's entry, they have a bit of a NASCAR feel to them, but for whatever reason, these work for us.


Everything's well fitted and well executed. The proportions make her look fit and sexy. On all technical points: well done.


It's just not something that really excites us, y'know? Terri, we know you have it, so step it UP, girl.


Joe. Joe, Joe, Joe. What are we gonna do with you? We're all "We can't make straight-guy jokes every week, because that would just get lame fast." So what do you do?


You put out another NASCAR monstrosity that forces us to bite our lips lest we blurt out "ONLY A STRAIGHT GUY WOULD DESIGN THAT!"


We complimented Jerrell for evoking a luxury car interior for his model, but Joe's looks EXACTLY like the interior of a car. Like she just poked arm and leg holes through the seat covers and slipped them on.


There's nothing fitted or flattering about this look. And call us snobs if you want, we hate product logos on clothing. We don't care if the designer is trying to be ironic; it's tacky.

Of course we're being unfair by evoking Joe's heterosexuality in his design. Straight guys don't have a monopoly on tacky and BELIEVE US, gay men have NOWHERE NEAR a monopoly on taste. No, this entry didn't suck because a straight guy designed it. It just sucked on its own and we shouldn't resort to stereoty--

OHMIGOD, look at HER HAIR! JESUS, these straightboys don't know shit.

More pics:




[Photos: Barbara Nitke/Bravo - Screencaps: Projectrungay.blogspot.com]
[Additional Pictures: Courtesy of Lisa Gilpin/Saturn/Rethink Design]

Judging the Judge: Laura

LONG before you heard about it, we heard straight from the clotheshorse's mouth that Laura was going to be judging one of the challenges. "Does this mean I'm going to be in one of those 'Judging the Judges' posts?" she asked in an email. "No," we replied, "But it does mean you're sitting your ass down for an interview." And so we did.

So, what was like being a judge this time as opposed to a contestant?
Oh my god, it’s so much easier being a judge but it’s kind of sad because on the judges’ side of the runway everyone is so casual and ‘Hi!’ Gossiping and all that kind of shit. In the chairs, on the other side you know how they feel. You know that to them it’s like a life changing thing.

But I was still gossiping and stuff. All Heidi cared about was her macrobiotic salad from Angelica Kitchen. "Is it here yet?’ ‘Is my salad here yet?"



So, was it difficult making a decision knowing that you were going to send someone home?
No, because in the end, I don’t know much about the personalities, I just went based on clothing, and I went based on the clothing on that challenge right there in front of me.

You don’t see any sort of portfolio on them? You don’t see any of their past work?
No.

So, you’re basically judging based on what you see right there in front of you?
Right, so the guest judge only sees what's there and you see it for the first time when it walks out on the runway, just like it looks on television.

And no music…
No music. The music gets patched in after.

And what did you think of the work in general?
It was great. First of all, they told me that it was the best work of the season yet. And second of all, it was one of those challenges that tend to push designers the same way our recycling challenge did; when you’re forced to use materials that you’re not comfortable with. That’s when the best and the worst are going to rise.

It’s definitely easier being a judge than it is being a contestant.

Why?
Because you don’t feel the pressure. It’s not like a life changing thing that’s happening to you at the moment. You’re not putting your heart out there for everyone to love or crush, you have no idea which one is going to be. It’s easier than I thought it would be. There really are clear, for me personally, there really were clear winners and losers and the things that were wrong I completely understood what the problem was and had no problem sort of verbalizing it. And the things that were right I was able to say, it looks great because… I really found that I was able to express the reason behind my particular feelings about the clothing.

Have you been watching the show?
Yes. I’m a big fan.

Who’s your favorite?
I like Korto. I think she’s very talented and I understand that as reality television her personality is not one of those that…what I’ve seen of her work on the season, I think it’s very her but there’s variety in it. I think her volume and silhouette is something sort of unique. I really like her work. I think that she’s so quiet; she doesn’t make good reality television.

Not like Stella.
No, not like Stella.

Did you get any reactions from the designers when they saw that you’re going to be one of the judges?
They were pretty shell shocked sitting there in the chairs, I mean, you could tell by then that they were tired; after a few challenges you really start to get worn down and nervous.

And when was that shot?
I was there at noon and it did start shortly after I arrived. They probably got to the workroom at seven or eight and by one their garment was on the runway.

And you’re pleased with the winner and the loser?
Oh, absolutely. For me, it was clearly between Korto and Leanne. They both had beautiful garments. Leanne, you could tell that she was so nervous the whole time she was on the runway. She knew she took a risk and when you take a risk it can go either way. It looked amazing but just as easily someone could’ve said ‘that makes her hips look huge’ but she placed it in such a way that it almost looked like huge hip bones as opposed to huge hip fat. It was a risk and when you take a risk, it pays off. You can’t beat that. Korto’s coat was beautiful, so for me, it was very close between the two of them but because of the risk factor in Leanne’s we gave it to her.

It’s interesting that you said Korto is your favorite designer but you still voted for Leanne at the end, as the winner. That’s good judging.
I was basing it on what was in front of me. And you have to remember that when I was judging I hadn’t seen all her work. I only saw the work that was on the runway that day.

It was a toss-up. If the other judges had leaned one way or the other I would’ve been happy to give it to either one of them. Now as far as loser, it was very clear to me which of the two was lower.

We were surprised that Stella was on the bottom. You’d think that kind of challenge that...
Right. You just gave her leather. Use the leather. It didn’t have that rock-and-roll thing going on, she tried to do something more elegant she shouldn’t have but I hope that she sticks out and makes it farther.

Based on what was on that runway, there was no doubt that Keith's was the clear loser. Now that I’ve seen the season, I’m at peace with my vote. I remember Keith kept claiming ‘but I’m cutting edge’. He did something that looked very Mallware, looked very everyday Mall. There was no clear idea. I’ll try this here, I’ll try that there. There was no overall concept or idea.

And Blayne?
Blayne had an idea, he just executed it strangely. As a matter of fact, he made this move and he did it in a weak way that you couldn’t tell if it was a mistake or if it was a deliberate move.

What was the deal with that "Excuse me?" you threw at Keith?
Editing. At some point I said "Excuse me" because he mumbled so much I couldn't hear what he was saying but they edited it to look like I was arguing with him.

So, how did it feel to be back at Parsons?
Everyone was nice. It wasn’t scary. I didn’t have some sort of post-traumatic stress syndrome or anything like that. Michael Kors is always very chatty, very nice to me and he always compliments me. He said “I talked about you the other day. I said you were my favorite.” And Tim Gunn is always nice. Tim Gunn complimented me on sort of the constructive qualities of my criticism and how I was able to use appropriate language to talk about the designs.

Many of our readers thought they picked you to be the judge because of the recycling challenge and although you haven’t won that challenge, everybody remembers your dress.
I was called as the judge at eleven asking me if I could be there at twelve because Nina wasn’t feeling well. It wasn’t like "Oh, Laura, she’s so fabulous; we have to have her back." The truth is that I live ten blocks from Parsons and I could be there on short notice. And Fern stepped in for Nina the next day.

What was Rachel Zoe like?
She had a person doing her hair the whole time. I think her critique was OK. She knows about clothes.

She doesn’t know how to dress people.
She does if they’re going to a 70s party.

All her clients dress exactly like her.
That would be like if I tried to be a stylist. I would dress everybody in a black dress. This is why I would never be a stylist. I would have all these mini Lauras.


[Screencaps: Projectrungay.blogspot.com]


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Tuesday, September 2, 2008

Stella & Suede



Stella, too cool to run:

"I'm not even dealing with rushing around like a fool. I'm embarrassed, like, rushing. I'm not moving."

She is so Tuscadero.

"I don't want to make a leather dress because that's not innovative."

Okay, you lost us on that one, girl. We would have rather you stuck to your strengths on this one, but we can't blame you after Tim gave you the full range of his bitch powers.

"This challenge, like the first challenge, is about innovation. Frankly, for that first challenge, many of you did not rise to the occasion. I won't get any more specific than that.

But it rhymes with "smash smags."


"..."

So Tim publically shamed her into trying to be something she's not, which makes for great reality TV fodder and she gets the "I'm struggling but I'm learning so much" edit. Complete with Ratbones!


Of course her dude's name is Ratbones.

Is there no one out there willing to give this lady her own show? Come ON. She is a fucking STAR.


We really hope Ratbones has a great sense of humor and doesn't break a beer bottle over our heads at the finale party because we were mean to his lady.

We love your lady, Ratbones!


We just don't love this look.

Not that we hate it, either. It had a couple things going for it and a couple going against it.


The skirt is a decent design. We like the proportions on it.


The problem is it just wasn't executed as well as it should have been.


That's just bad. It wasn't the most earth-shattering design in the world, but if it had been done well, the judges probably would have raved about it.


The top isn't bad. We like the color blocking and the closures.


We have a problem with the proportions in relation to the skirt. This would have looked better if it was more fitted.


We also have a problem with the design. It's not a bad looking top, but it doesn't feel like it goes with that skirt.


And it didn't help that the top also had execution issues. The panels in the front don't match up at all. Not a bad try, but too many issues to call it a good one.


"My favorite memory involving a car is when my father gave me my great uncle’s 1966 Buick Electra."


Okay, what the fuck. Why don't we just put Suede's worktable in the cemetery, where he'll be more comfortable?

We felt a little bad making fun of the dead grandfather story last week, but Suede honey, enough is enough. There's nothing wrong with getting on a reality competition and "playing a character." More often than not, most of the rest of them are too, to varying degrees.


But if you're so clearly playing to the cameras, then you're not doing a very good job of portraying your character and we're forced to point and laugh. More than normal.


Suede was so busy blowing kisses to dead relatives that he didn't hear the brief on the challenge and thought he was supposed to make a look for a car crash victim.

It's really the only explanation.


And can we just say that we're getting a little tired of this silhouette from the Suedester? We saw this in the "green" challenge and the Olympics challenge.


Tight little sleeveless bodice with a low waisted, full mini skirt. Done, done and DONE. The added bonus of rubber flooring does not improve upon it.


And the skirt itself: cheap and obvious.


In short, we are not amused. Suede phoned this one in and we're getting a little tired of Story Hour as a replacement for actual designing.

More pics:




[Photos: Barbara Nitke/Bravo - Screencaps: Projectrungay.blogspot.com]
[Additional Pictures: Courtesy of Lisa Gilpin/Saturn/Rethink Design]