Drill Inc. Creates Xylophone, A Commercial For The Touch Wood Mobile Phone

A lovely and inventive three minute commercial, Xylophone, for a new wooden encased phone, the Touch Wood SH 08C from Docomo of Japan.




Japanese agency Drill Inc. (the same agency responsible for the website design of the Epos 100 artist Visa credit cards) and creative director Morihiro Harano hand crafted a giant wooden xylophone in the woods of Kyushu, Japan. As one little wooden ball rolls down the giant microphone, it plays Bach’s Cantata 147. The agency claims that no artificial music was used.



A joint project with Sharp, Olympus and Docomo, the phone is beautifully designed, as is the packaging

as well as the wooden charging unit by More Trees:


Be sure to see "the making of' the commercial here.

Here's a dedicated microsite for owners, the phone and accessories.

You can shop for the Touch wood Phone and the More trees charger here

New Call Of Duty: Black Ops Commercial Makes Even Peace Lovers Want To Shoot Someone.

The latest 60 second spot (shown after the stills in this post) for Activision's soon to be released Call of Duty: Black Ops video game, conceived of by TBWA Chiat Day and directed by Rupert Sanders, makes even me want to pick up a gun - or at least a game controller - and I'm about as far as one gets from a war monger.



Despite your stance on war or video games, one cannot deny the visceral appeal of this commercial. Set to the Rolling Stone's Vietnam-era classic Gimme Shelter, the gamers (a variety which includes, amongst many, a medical technician, a scientist, an electronics store clerk, a hotel concierge, a businessman, Kobe Bryant, Jimmy Kimmel and not one, but three women - even a Birkenstock wearing Granola) find themselves so immersed in the experience, they appear engaged in real life combat. To present a video game as so life-like that the players appear in the virtual world may not be a new concept or idea, but in this case, it is beautifully executed.








The everyday folk - and avid gamer celebs Kobe Bryant and Jimmy Kimmel who make appearances in the spot - are adeptly brandishing weapons while donning their civilian garb (love the Chanel shoulder bag), amongst the thunder of helicopters and flying shrapnel.



above: Video game fans Jimmy Kimmel and Kobe Bryant make appearances in the spot.

There's only one word of dialogue uttered in the whole script... when the hotel concierge, Vic, stops to answer his phone and identify himself while in the midst of combat.



And the final shot of a fast food cook with guns a-blazin' is the Creme de la Combat.



God damn, they were right when they said "There's A Soldier In All Of Us" and I didn't even know it. Now where's my Bazooka?

There’s a Soldier in All of Us (:60)


Call of Duty: Black Ops is a first-person shooter video game developed by Treyarch and published by Activision, scheduled for release on November 9, 2010. The game is the seventh installment of the Call of Duty series since the original game published in 2003, and the third game in the series to be developed by Treyarch.

Pre-order/Buy Call of Duty: Black Ops

Activision is an American video game developer and publisher, with well known titles such as the Tony Hawk series, and the Guitar Hero franchise.

CREDITS
Agency: TBWA\Chiat\Day, Los Angeles
Chief Creative Officer: Rob Schwartz
Group Creative Director: Brett Craig
Associate Creative Director: Blake Kidder
Associate Creative Director: Patrick Almaguer
Creative Director:
Head of Production: Richard O’Neill
Executive Producer: Anh-Thu Le
Producer: Stanton Hill
Art Director: Chase Madrid
Copywriter: Chris DeNinno
Group Account Director: Stan Fiorito
Account Director:
Account Supervisor: Paul Sears
Assistant Account Executive: Rohit Bal
Group Planning Director: Oke Mueller
Sr. Planner: Natalie Puccio
Director of Business Affairs: Linda Daubson
Business Affairs Manager: Jill Durand
Senior Broadcast Traffic: Jerry Neill

Production Company: MJZ
Director: Rupert Sanders
Executive Producer: David Zander
Executive Producer: Eric Stern
Producer: Laurie Boccaccio
Director of Photography: Greig Fraser
Production Designer: Dominic Watkins
Costume Designer: Nancy Steiner
Editor: Neil Smith
Post Production Producer: Carolina Wallace
Visual Effects: Asylum
Visual Effects Executive Producer: Michael Pardee
Visual Effects Post Producer: Ryan Meredith

Visual Effects: Asylum
Visual Effects Supervisor/ Lead Compositor: Jason Hicks
Executive Producer: Michael Pardee
Producer: Ryan Meredith

Sony Bravia's Bunnies- A Rip Off? You Tell Me.

So, like many bloggers this morning, I came across this wonderful ad and was going to post it as follows:

Fabulous new stop-motion animation with Clay Bunnies for Sony's Bravia tv:


Credits
Title: Play-Doh
Client: Sony Bravia
Ad agency: Fallon, London
Creative director: Juan Cabral
Executive creative director: Richard Flintham
Agency producer: Nicky Barnes
Account director: Ben Cyzer
Director: Frank Budgen
Production company: Gorgeous Enterprises
Producer: Rupert Smythe
Song: Rolling Stones, She's Like A Rainbow

And, of course, the making of:


And then the controversy began.
At first I thought that the post on Gizmodo was an overreaction.

Given that I'm an Advertising Creative/Art Director (yes, that's my "real" job) I was ready to defend creatives in the business for often using artists as their source of "inspiration". Something that has been happening in all art forms for centuries. After all, Kozyndan's work is clearly inspired by Hokusai, so why can't Fallon London be inspired by Kozyndan?


Above: Kozyndan's Bunny Tsunami


Above: Hokusai's Wave

Given that this is not Sony Bravia's first spot to use lots of colorful animation as a metaphor for a good color television, and that Kozyndan works in a static medium and this is tv, I thought maybe they initially intended to use Kozyndan as the actual animator (which, perhaps is why they requested samples of his work).

After all, I could see the process happening as such. But then decided that "illustration' wasn't a good metaphor for high def tv, so they decided to go with stop motion animation.

This is all a guess from having sat through hundreds of pre-production meetings.

But then the ugly comments began to appear. And frankly, I'm not sure how I feel now.

Do you think the spot should have credited Kozydan? Do you think it should say "Inspired by Kozydan? but then should it really say "Inspired by Kozydan, who was inspired By Hokusai"?

First from Gizmodo:
Sony Bastards Ripped Off the Bunny Tsunami Ad

What the Hell. When I saw this morning's post on the awesome Sony Bravia Bunny Ad, featuring multi-hued rabbits climbing through a cityscape transforming into a tidalwave, I assumed it was the work of my favorite artists, the LA-based kozyndan. By my front door, I have a framed print of one of their limited edition NYC bunny panoramics, which I've put below. Aside from this, they're probably best known for reworking of Hokusai's "Great Wave off Kana gawa" with bunnies inserted in the place of the white wash, which was featured on a Giant Robot magazine cover. I was only half right about kozyndan's involvement with this Sony project, unfortunately. They were robbed: For pretty damning proof, watch the video, and read on.

Apparently, the Passion Pictures animation studio ripped off kozyndan's after requesting samples of their work and never called them back. Dan just wrote me an email about it to confirm that this is pretty much the story, at least from their side.

I hear this happens often in advertising, but that doesn't make it fucking right. I guess it's not Sony's fault, but they should at least get their money back or get Passion Pictures to give a fair chunk to the artists. I'm pissed and not sure what I, or anyone else can do about it. Thoughts? [Passion Pictures vs KozyNDan]

Then from Core77:

Will the Real Bunnies Please Stand Up?

Posted by: Michael Doyle on Friday, October 05 2007

Why does that new Bravia ad look so familiar? Oh, right... KozyNDan did it years ago.

Here's what they say:
Its hard to think that people at Passion Pictures did not have this early panoramic of ours in mind when they created this new spot for the SONY Bravia line.

To add insult to injury, someone from Passion Pictures contacted us almost two years ago asking to see samples of our work (including this panoramic) as they were interested in working with us. We sent them samples and then heard nothing from them ever again. (It should be noted though, that the more likely culprit is the ad firm who hired Passion Pictures, Fallon.)

Still, its a clever ad.

Related: the original Bunny Tsunami for Giant Robot

It's not like KozyNDan are so outside of mainstream media that nobody would eventually notice. I still love the ad, but this certainly takes some of the magic away. I've seen it happen so many times at big agencies - there is little regard for the line between inspiration and flat-out plagiarism, and often a complete lack of conscience or even understanding why it's wrong. (Some people call it "business", but psychiatrists call this kind of behavior "psychopathy".)

And comments from Kozyndan

So, what do you think?